I try to put it in chronological order,
starting with the day I was diagnosed:
startling forsythia, yellow ribbons of wishful
thinking knotted at the branches’ tips—
footprints of whomever put them there.
Evensong of peepers, composing a lifetime
(I cannot tell if in symphony, or dirge,
or some pop ballad lamenting brevity—
thrush and loon lure me to the river’s
edge). It’s not that serious, you know,
this dying. We all do it—from the thread
of conception, migrating like box turtles,
crossing hyperventilating streets, closing in
on the allure of endings. Of course, the undercoat
is the half-wish, Viking myth that good warriors
turn immortal—the other half longing to
drop what’s left of kinetic hope. I meander back
to what the word means, the scant diagram,
ball at the crest of a hill, picking up speed
as it rolls: She’s going downhill—but no one
says what’s at the bottom. Maybe it’s
Maidenhair Fern and Coneflowers. Or
Honeysuckle and English Ivy. Or someone old—
whose birthday you always remembered.
KATHERINE MERCURIO GOTTHARDT is a disabled Gen X poet of Lebanese and Sicilian descent. Since the early 1990s, her poetry has appeared in Frogpond, Southern Quill, BigCityLit, Haiku Canada, Panoply, North of Oxford, ONE ART and dozens of others. She has earned awards from Poetry Society of Virginia, Virginia Writers Club, Loudoun County Library Foundation, Prince William Arts Council and more, and her poetry was included in the City of Manassas’ 150th anniversary time capsule. Gotthardt’s 14 books include a Silver Award winner from the Nonfiction Authors Association, an Amazon bestseller, a BookFest first place modern poetry award winner, and a Library of Virginia Literary Awards nominated collection. Learn more about her work at KatherineGotthardt.com.