When the neighborhood was still house, house, field,
when I was small and prone to lying, I saw
in the early morning, a red-brown fox perfectly
still in the yard. The dog was asleep somewhere.
The fence should have kept him out. He ticked
his head side to side as if it were a tambourine.
I could almost hear the music the mouse heart
made in his brain. This is the fox leaping.
I was bored. Let’s leave it at that.
~
Again, as a child, I was afraid of the prickerbush,
its green, arching vines and green thorns.
I didn’t want my body to pull off in little tufts
like the rabbits and possums. I wasn’t that desperate
to get away just yet.
~
Bottlebrush, bottlebrush.
~
Ted Hughes used the fox whenever he needed to.
The fox is a creature bound up in morals.
I sat at my desk reading the poem, trying to decide
which scene to copy out in crayon. The fox is red,
of course. The eyes are yellow-green. My desk is near the window.
Outside the ground is churned up, exposed, waiting.
That flash of bronze behind the dirt mound
was probably a stray cat. I crumple up the picture. I got it all wrong.
~
Driving the Bluegrass Parkway, I point out a slender doe.
I see more animals this way than in any of my wanderings,
the car like a large, humming river rock. Just as often:
the loping body of a flop-eared coyote, a ground hog.
All the animals have symbolism if you try.
Sly as—cunning as—descriptive of beautiful women.
When I spy the flicker of his tail slipping into the bowl
of the grassy median, out of sight, teasing, I murmur
you little slut. The boy in the car isn’t my husband yet.
~
Foxes domesticate quite easily in Russia. I hear this on Nature.
Their pleasant faces suddenly look up for reassurance.
Remember: that’s the sign.
I inspect the dog for hours, sure my love for him
is more romantic than motherly.
~
Much later and in another state, I stepped off the trail
for blackberries. Everything was warm from the sun.
I was thirsty and hungry and in need. I startled
three sparrows and a redbird.
~
I really did see him that day.
No, the other one.
~
When he leapt, I felt something close to rapture.
The rest of that morning, I couldn’t keep still.
Frantic with thought, I looked for some sign.
I put my face close to the ground, the small black scat
of the mouse like broken pencil leads.
What I heard was that snap.
DANIELLE RYLE is a poet and artist currently living in the Southern Tier of New York. Her first book Philomel, Whose Reputation Precedes Her was published in September 2025 by Lit Fox Books. Her work has also recently appeared in Seneca Review, Appalachian Review, and Cordella, among others.