Terminal Felicity
By Adam O. Davis / Issue 25
Welcome to the end—
if there’s such a thing as the end.
The nurse swears that upon the road of the future
there’s a bend beyond which no one will ever see,
that one day
it’ll just be thunderclap & eternal nap,
or that like Catherine every body will candle
the everlasting night in a thousand thorns of light—
a thousand little bonfires singing,
What do you see?
as the wind with its many whips peels back the pyramids,
blowing building & boxcar to has-been.
Maybe oceans will sit empty as sandpaper cups,
maybe cities will sizzle hotter than a pack of Lucifers.
Maybe the moon will spill & the sun scream
but in the end only the nurse knows
what you won’t live to see.
Still, you wonder
whose furnace-hot fingers will fish you from the future to fritter the very vowels of your name.
You wonder
even as she, in the encroaching dark, lays a cool cloth upon your brow
and holds your hand,
telling you that whatever gods you’ve called into being
will go forgotten with you.
She knows better, the nurse.
She knows best.
She whispers like the wind once whispered:
In the end,
you are the end—
the lisp before the longest dusk,
lipless & churched
like the tongue in your truest love’s mouth.
Forget the oceans.
Forget the sun.
Remember that love.
Remember what you did with it.
ADAM O. DAVIS is the author of Pyrrhic Symphony (University of Nebraska Press, 2026), winner of the Raz/Shumaker Book Prize, and Index of Haunted Houses (Sarabande, 2020), winner the Kathryn A. Morton Prize. The recipient of prizes from Poetry International and the Poetry Society of America, his poetry and essays have appeared or are forthcoming in AGNI, The Believer, The Kenyon Review, The Paris Review, Virginia Quarterly Review, and ZYZZYVA. He lives in San Diego where he teaches English literature at The Bishop’s School.